![]() I'll try SL7 and I'll try Acoustica Premium. However.sl7 is nice.Wow, great info! Thank you! And none of its full-ver capability such as drawing out noise. It's purposely limited to two-slot spleeter. Spectralayers 1.incorporated in cb11 is basically worthless imo. On the other hand, phonicmind is an avenue for quick spleeter extractions at three bucks a song or whatever. Sl 7 for surgical (not its spleeter code), sometimes melodyne for impossible individual short snips, and of course "Isolate". I personally think the 5-slot Acoustica premium is easiest to work with for pure automatic extraction. ![]() My guess is that more slots will be opened as database successes begin to occur (separating mixed multiple acouatic guitars being one of the real real difficult analysis challenges atm.which I personally project to be nailed over the next 4-5 years.imo). Vocals, bass guitar, drums, and some degree of brass/woodwinds are pretty good now.which is why spleeter is currently structured around 5 "slots" for extractions. I believe the database is now being tweaked to extract pianos better (which involves analyzing massive numbers of mixed pianos in the "ai" database of the spleeter project). Spleeter, this past year, is getting more refined in isolating/demixing "leftover" stuff. Which means, they all work the same and as spleeter gets better, the advances are incorporated by the 3rd party guys. They license the ability from open-source spleeter & then add their own gui & bundle into their existing capabilities. Spectralayers, Acoustica, phonicmind, adx, izotope, etc etc etc etc.do not make demixing apps. ![]() Keep in mind.the code for demixing is Spleeter. ![]()
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